Please, Excuse the Mess…

Whatever it takes.

That’s the writer’s motto.  The artist’s motto.  WHATEVER IT TAKES!

Whatever it takes to put the words on the paper.  What ever it takes to finish the rough draft.  Whatever it takes to pick it back up and wrestle with the characters, plot, descriptions, style, genera expectations, voice, and readability until you have a finished product.  Whatever it takes to get it published and into the hands of readers.

My stories are movies playing inside my head.  They morph and change as I delve deeper, but it’s still just a movie playing in my head.  I have to find the words to explain the story to you.  Have you ever had someone tell you ABOUT a movie IN DETAIL?  It’s usually terrible.  Have you ever listened to a good/professional storyteller?  There is a huge difference between those two experiences.

I think I’m getting a better grasp of the words, and how to make them go.  How to hold back what the reader wants, make them work for it, give just enough to keep them hooked.  And I can see the big picture hidden in the words.  Themes and morals, sometimes hidden even from me until the full rough draft is done.  But meshing the two, good-enough words and a big story, escapes me.

I’ve got a lot of rough drafts lying around.  I’ve chosen one to learn how to tell a story on.  It’s a robust story, with everything I love about the universe in it.   The Main Character is a side of me I can easily access, so she frequently tells me to pull my shit together and finish the fuckin’ book!  She’s a strong motivator.

I’ve tried to take it farther than just a rough draft, but I can’t seem to get my head around the seventeen pages…  Wait.  THIRTY-ONE PAGES of notes on changes, OR to apply the advice of the books I’ve read about storytelling.  Like everybody else, I have commitments, work, family, and anxieties to deal with.  And I deal with them, but then not a lot of energy for writing is left over.  So, another year has slipped away from me, unpublished.  Part of me wants to give up, and just write something new, something exciting, always rough drafts, and never bother to publish.

But, I’m a stubborn person.  I WILL create a finished product.  I just need the right tools.

I think I’ve found a couple more tools in the last few months.  With ways to tinker, and lay out, and get more story off the page and into my hands.  I’m good with my hands.  I think with my hands, and I’m a visual person.  I didn’t realize there were tools for that kind of brain.  It’s kinda like outlining, kinda like story board, kinda like art.  Lets see if it will help my get a handle on my revisions.  Then I can begin the rewrite, choosing the right words to tell a story, instead of telling you about a story.

I’ll share the tools with you, once I have a firmer grip on them.  I can’t be the only writer with these kinds of problems.  For now, my writing is “Construction Zone! Please, Excuse the Mess!”  (Hint: The tools are more books, but that really shouldn’t surprise you at this point.)

Happy Writing, y’all!

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Low-Budget Writing Program: Part 6 Grammar and Punctuation and Bears! Oh, My!

I am the last person who should be giving anybody grammar and punctuation advice, but I will tell you about the books that have made my self re-education slightly easier.  You could, of course, go right to one of the style books, but there are over a dozen, and many more blogs, columns, and other sources.  I was looking for something that would entertain me into better usage.

Of course, when it comes to usage, there is the question of whether you side with the followers of linguistic prescription (the rules are always correct) or linguistic description (actual usage is more correct).  There is no right answer, by the way.  Just MANY different opinions, and most people fall somewhere in the middle.

‘When the student is ready the teacher will appear. When the student is truly ready… The teacher will disappear”

-Lao Tzu

This is a motto of mine.  All of these books were found in used book stores, gifting me with their timely appearance when I was on a strict budget.  Since I have been avoiding writing this post successfully–for a year–you are getting the added bonus of which book actually stuck around in my unreliable memory the longest.  Lucky, lucky you.

Scan_20171127 (36)Angels sang and the sky lit up with glorious rainbows when the prophesies came to pass, and I finally came across “The Elements of Style” by William Strunk Jr. and E. B. White (Forth edition by Allen & Bacon, Massachusetts 2000).  It was a shockingly thin book. (Six different publication dates, 1935 the earliest.  That is some serious staying power.)  I’m not sure why it took me so long to find a copy, since every time I’ve gone to the book store since that day there have been at least five copies to choose from.  I guess I was not ready before that day.

The word ‘style’ in the book’s title is not an accident, and that style is concise. If a writer wishes to be clear and bold with the English language, then this is a benchmark to guide you. Even if your style is wordy and obscure, it will still make an excellent base for writing in general.  (I, personally, got a huge kick out of the older ‘misused’ words, but I’m a total word-nerd.)  White’s added chapter five, with its twenty-one approaches to style, is worth serious study.  I may not keep a copy of the book in my pocket, as is suggested, but it sits on a shelf, close to hand.

Scan_20171127 (30)“Mortal Syntax” by June Casagrande (Penguin Group, New York 2008) is next on the pile. Clever and funny, this book is actually a defensive rant about all the things the author was accused of being wrong about–repeatedly–while she ran a grammar column.  (This is actually her second book, and I’m keeping an eye out for the first.)  In these pages I learned there were several style guides, and they didn’t always agree with each other.  No wonder the arguments get so heated, for there is no One True Way.  I enjoyed her biting humor, but the funny stories stayed with me longer than the actual grammar advice, and that wasn’t for very long, either.  My search continued…

Scan_20171127 (34)“Words Fail Me” by Patricia T. O’Conner (Harcourt Brace & Company, New York 1999) is another good and clever book full of anecdotes, but the rules she tried to convey were quickly forgotten.  It’s a good writing style book to try on, like a rambling conversation with a knowledgeable writer while wearing comfy yoga pants and sipping tea, and worth it if your brain remembers rules better in this way, but of limited use to me in the long run.

Who is the clear winner, and the book I will read again to brush up on rules before self-editing?

Scan_20171127 (32)“My Grammar and I… Or Should That Be Me?” Caroline Taggart and J. A. Wines (The Reader’s Digest Association, Pleasantville, NY 2009) is the closest to a school textbook, and it shocked me that that was what I actually needed.  I guess logic-brain wins this round, when I was putting my money on creative-brain all along.  Now, don’t be fooled thinking this is just dry rules.  The authors sprinkle in just enough Sahara wit to keep you from nodding off at your desk, then drooling until the bell rings and startles you awake.  Most importantly, I came away with a working knowledge of grammar and punctuation, which was the whole point of this project.

Don’t get me wrong, it’s been a year since I read this, and while I may have retained enough to get by, I definitely need to read this, again.  Soon.  An added bonus will be when I self-edit, I will know what to call the things that went wrong.  (Other than “Bastard,” that is.)  “Compound conjunction” and “irregular verb” will mean something, and not be just static in a confused brain.  I’m getting giddy just thinking about it!

Well, that’s the best advice I can give to date on this topic.  There’s nothing to fear about grammar and punctuation, and I’ve run out of time for the bears (maybe next time).  Don’t go off thinking you can go straight to self-publishing after this.  This should be just enough to not get you laughed out of the publisher’s office, or make a complete fool out of yourself online.  Self-publishing is going to require more eyes than just yours!  Either find some highly skilled (but free labor) beta readers, or your going to have to come up with the money for a good editor. Don’t trust yourself to catch every thing!  Even professional editors go to another editor.

While hanging out with other writers online, I found a grammar/editor blogger named Thomas Weaver who is fun, interesting, and does a daily Writing Glitch series that is great for testing your knowledge.  Follow him if you like a challenge, or if you might need something professionally edited in the future.  https://northofandover.wordpress.com/2017/11/27/writing-glitch-547/#like-10679

You may have missed the other posts of the Low-Budget Writing Program:

  1. Butt in Chair
  2. Monster in My Manuscript
  3. Take Over the Literary World!
  4. When the Manuscript Goes Into the Garbage
  5. Fear is the Mind-Killer
  6. Grammar and Punctuation and Bears! Oh, My!

Can You Bribe Titans With Chocolate?

OLYMPUS DIGITAL CAMERAI’ve got titan-sized thoughts shrugging their way through my brain matter.  And this is the kind of shrugging that shoulders can do that also hold the Heavens and the Earth apart, so that we humans have a nice, comfy place to live.  They’re important, humongous thoughts; FEAR, and COURAGE, PERSEVERANCE, and some LUST, too.  My head aches from their shuddering footfalls and oversized, grabby hands.  I’m alternating between attempts of fuzzy blanket naps and shoving more other-writer’s-blogs-about-writing into my head, hoping it will all coalesce into an overflowing, bounteous soup of Writerly Knowledge For Me To Share!

But, mostly it’s just a throbbing headache.  Erg.

In more human-sized news, the notes for the Low-Budget Writing Program series is coming along nicely, so at some point I will be sharing something actually useful for new-ish writers.  I get a piece of chocolate for useful posts, so I am super motivated!

I’ll have to admit that both general writing and revisions for my WIP haven’t been going well, and it’s not too surprising when you consider life, but I’ve seen these kinds of temporary blocks before (see attached pic), and just on the other side of them is writing-nirvana.  The state of flow that makes writing as comfortable as slipping on your second favorite pair of pants. (The first favorite pair of pants being reading, of course.)  I just have to find a decent sized crack to wedge some writing into, like opening a safe passage with the jaws-of-life, then more cracks naturally open up, and writing slips in.  Or on, since I was using a pants metaphor.  <sigh>

(I have been known to fall over while putting on pants, so, there is that.)

Happy Writing!

Thank You, Random Newbie Writer!

OLYMPUS DIGITAL CAMERASo, exactly HOW new do you have to be at writing to have JUST discovered Grammerly, yet still feel the NEED to tell a writer’s group you belong to that using it is lazy?  That writers should just pick up a book or a dictionary?  (Shall we tell them about Pro-writing Aid, Scrivener and the other dozen-odd programs that give writers a hand?)

Thank you, random newbie writer; I really needed a laugh today!

Mostly, because I’m still processing events from this weekend, and I wish I could say I was surprised, but it feels like I’ve been watching this happen in slow motion for a very long time.  So many warnings were ignored by those who needed to listen.  (Will they listen now?)  I also really, really wish I believed this would be the last incident.  My fears tell me the worst is yet to come.

As for my editing/revision adventure, I have tightened up the first chapter in the WIP, and already foresee things in later chapters that will get the CHOP.  I doubt there will be only one pass through the whole thing.  I haven’t really started incorporating the notes, yet, plus there will be a round of text-to-talk, and a round of Grammerly or one of the other aids.  Once that is finished, I will either start seeking an agent or small press, or take the chance on self publishing.  The plot thickens (hopefully).

Happy writing, y’all!

“Ping!”

OLYMPUS DIGITAL CAMERAWhile I was patting myself on the back last week for having a Good Excuse ™ for not writing, and the resulting blog post hid the fact that I was a bit panicky about not writing, I was unaware my brain had sifted into a different mode.

Yes, I was right in the middle of a fight scene.  Yes, it was THAT fight scene: the one with the inappropriately erotic words snuck into it.  I was also working on the second draft of another short story, where I tackle the nearly illegible pen and paper scribbles and try to type them into a coherent story.  Both are highly creative forms of writing, at least for me.

And they fell flat.  Just gone, and hardly missed in the crazy prep for an anime con.  When they didn’t come back on my first normal day for writing, I panicked a bit.  Truthfully, a LOT.

I could feel them fizzing, or burbling, like a  warm pot on the back burner of a stove, waiting for the right time to have a last-minute ingredient added.  I’ve felt this sensation before, so I was soothed, because it comes back, the creative side of writing, when it is ready, and not a damn minute before.  But that still left me stuck in front of blank pages…

Until I realized I had done something unusual to the novel that I laughingly refer to as my Work-In-Progress, despite the fact that I haven’t been able to stand the sight of it in nearly a year.  I had been re-reading it in the evenings, to unwind, instead of my to-read pile.

And it’s rough, and I have made my usual mistakes, and I’ve made eighteen pages of notes for changes over the past year, but I still love the story, and I’m ready to work on it.

You know, being a writer would be a lot easier if we got some kind of notice when our brains sifted to another mode.  I didn’t realize I was IN editing/revision.  There should be some kind of “ping,” or spider-sense, or notice hammered to our front door.  Instead we are suddenly swimming against the current, and struggling.

I’m better prepared for the task, this time, due to research and time spent working on smaller projects.  It seems a less insurmountable mountain, shrouded in thick clouds.  I can at least SEE what I need to achieve.  My intention is to have a ready manuscript for either agent shopping or self publishing by the end of the year, if not sooner.  Time will tell if I am up to the task.

Happy writing, editing, revision, or whatever!

 

How Do I Avoid ALL of the Vampire Tropes and Clichés When Writing About Vampires?

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How do you avoid ALL of the Vampire tropes and clichés when writing about Vampires?

You can’t.

Seriously, you can’t.  If you have a story idea, just write it.  Yes, it has all been done and said before, especially if it involves vampires.  Or dystopian futures.  Or romance.  Or aliens. Or magic.  Or pretty much everything you can think of.

Who cares?  Do you have an idea?  A twist?  Are you mixing in science?  Or back to gothic supernatural?  Horror?  Something lighter?  Does it sound like it would be fun to write?  Then write it.  Later you can decide if it is useable or publishable.  People love this stuff for a reason, and a good story is always a good story.  Just don’t tell the same old story in the same old way.  Tell YOUR version.  Don’t you realize that EVERYBODY ELSE GOT IT WRONG!

I follow a couple of writer’s  Facebook pages, and I keep seeing questions like the title of this blog (or similar questions), over and over.  I used to comment, but I was one of many voices, and lost in the landslide of opinion.  Now, I just shake my head and scroll past.

Your choices are to not write about vampires at all, or just get in there and mix things up.  Play with the tropes.  Joke about them, and laugh with the reader.  Or make them scary, again.  Turn ideas on their head, inside out and upside down.  Build a world with hard and fast rules, or merely guidelines.  Find the source material and mine out the purest elements.  Take the mythology apart for the parts you want, and ignore what doesn’t work for you.

It doesn’t matter who or how many have written about vampires before.  Nobody else in the world has the exact personal mythology as you.  It is made up of all of the stories you have come across, real and fictional, liked or not, and the order they arrived in your life.  You are different from everyone else. Books, movies, family secrets, TV, conversations, cultural traditions, arguments, lucky happenings, personal tragedies; they all affect how YOU see the world.

Tropes and clichés–as annoying as they can be–are our shared mythology.  Don’t fear them.  They are your friends.  They show us that we are similar enough to understand each other, but different enough to learn from each other’s point of view.  They link us to people we have never met.

Don’t let writing what you love make you afraid of being repetitive.  Write the story you want to read.  If you decide you want to be published, then revise and edit to current standards.  It’s hard work, so decide if it’s worth it.

Just remember lots of people won’t like it , no matter what it is.  Make peace with that, or tell them to feck off, whichever is your style.  Hopefully, you will find an audience that loves the world and characters you created, and beg you for more.

Most importantly, and in the words of Noah Lukeman, “Don’t bore the reader.”

Cue the Music…

Beautiful-Freaks-Fest-2017

Cue the calliope music; I signed up for the Beautiful Freaks Fest.  Watch to see if I drop the ball, plates, chainsaws, my brain, or what ever it is that makes me think I am a writer.  I’ll be posting free content for three days this weekend.  The plan is a combo of story telling, pics of fiber arts, and bad poetry.  I’m not ready (this weekend wasn’t productive in that way) but I’m trying to play catch up this week.

I’m also stalled out on the horror short story.  I haven’t been able to sit down for it for four days, despite getting a first reader to read the first half and tell me I was pointed in the right direction.  I KNOW the direction, and this is the second draft, so it should be just a matter of sitting in the chair and typing, but there seems to be a block.  There is also the issue of almost five thousand words and being only half way through.  I’m pushing the envelope of short story word length.  We’ll see how that plays out.

Happy writing, and I’ll see you this weekend!